Medium: Etching with chine-collé Dimensions: 4 1/2 inches (Image) 10 1/4 x 8 inches (Sheet) Signature: Signed Artist details: American, 1968 Date finished: 2021 Edition: of 2
Series: International Graphic Arts Society Publication #43 Medium: Color lithograph Dimensions: 14 x 18 inches (image), 15 1/8 x 19 1/2 inches (sheet) Signature: Signed Artist details: Indian, 1915 - 2011 Date finished: March 1961 Edition: 74/200 Condition: Stamp on verso "Made in Switzerland Edition: ARTA ZURICH"
#51917c
Medium: Color etching Dimensions: 26 1/2 x 19 1/2 inches Signature: Signed Artist details: Italian , 1911 - 1989 Date finished: 1969 Edition: 11/150 Condition: Toned verso
Medium: Lithograph Dimensions: 8 7/8 x 11 x 7/8 inches Signature: Signed Artist details: Belgian/American, 1904 - 1977 Edition: Edition of 218 Date finished: 1939/1942 Publisher: Associated American Artists
Series: Formulation: Articulation Portfolio Medium: Serigraph Edition: of 1000 Dimensions: 10 x 10 inches (Image) 15 x 20 inches (Sheet) Artist details: American, 1888 - 1976 Date of impression: 1972 Publisher: Harry N. Abrams Inc. Printer: Ives-Sillman, Inc. New Haven
Medium: Lithograph Dimensions: 6 5/8 x 8 1/4 inches (Image) 9 3/8 x 12 1/2 inches (Sheet) Signature: Signed Artist details: American, 1899 - 1983 Date finished: c. 1930 Edition: of 40 (noted at lower left)
#53712
Series: The Happy Meeting Medium: Color lithograph Dimensions: 22 x 30 inches (Image) 26 3/4 x 34 inches (Sheet) Signature: Signed Artist details: Dutch, 1921 - 2006 Date finished: 1974 Edition: 51/120
#53784
Medium: Lithograph Dimensions: 12 3/4 x 9 inches (Image) 17 1/2 x 11 1/4 inches (Sheet) Signature: Signed Artist details: Welsh / English, 1864 - 1944 Reference: 756, x286 Condition: Slight foxing and an ink mark in margin.
#49592
Medium: Etching Dimensions: 7 x 6 7/8 inches (Plate) 9 3/8 x 8 inches (Sheet) Signature: Signed Artist details: Scottish, 1859 - 1921 Date finished: 1899 Edition: Final state Reference: David Strang 463, OC 365 Printer: Signed by David Strang
#52118
Medium: Color etching and aquatint Dimensions: 21 1/2 x 15 1/2 inches (Plate) 24 3/8 x 18 1/8 inches (Sheet) Signature: Signed Artist details: German / French, 1912 - 1992 Edition: 91/95 Publisher: L'Oeuvre Gravée, Paris & Zürich
#53602
Medium: Etching Dimensions: 11 3/4 x 9 3/4 inches (Plate) 15 1/2 x 13 1/8 inches (Sheet) Signature: Signed. Faint blindstamp at lower left margin Artist details: Uruguayan / American, 1874 - 1940 Date finished: 1931 Edition: of 75 Provenance: Benjamin West Society (#753)
#53715
Medium: Wood engraving Dimensions: 8 x 11 inches (Block) 12 x 15 1/4 inches (Sheet) Signature: Signed Artist details: American, 1896 - 1981 Date finished: 1936/1939 Edition: AP of 3. Outside of the WPA edition of 25 Publisher: FAP/WPA, stamp at lower left Provenance: Susan Teller Gallery, New York
#53717
Medium: Etching Dimensions: 9 7/8 x 7 3/4 inches (Plate) 15 1/8 x 11 3/8 inches (Sheet) Signature: Signed Artist details: American, 1862 - 1951 Date finished: 1924 Edition: of 150 (Published state) Reference: Ordeman 237 Condition: Slightly light struck where not covered by the mat.
#53909
Medium: Lithograph Dimensions: 9 3/8 x 13 1/8 inches (Image) 12 1/2 x 17 inches (Sheet) Signature: Signed Artist details: Belgian/American, 1904 - 1977 Date finished: 1939/1942 Edition: of 250 Publisher: AAA, label included
#53718
Medium: Etching Dimensions: 9 3/4 x 7 3/4 inches (Plate) 14 1/8 x 10 7/8 inches (Sheet) Signature: Signed Artist details: French, 1883 - 1956 Date finished: 1913 Edition: 16/25 Reference: Marchesseau 28 Condition: Pin holes in margin corners. Some soiling, small tear at lower center margin edge.
#53628
Medium: Sumi ink and gouache on paper Dimensions: 22 x 30 inches (Image/sheet) Signature: Signed Artist details: Pacific Northwest, American, 1947 Date finished: 2020
Medium: Color engraving Dimensions: 19 3/4 x 12 3/8 inches (Plate) 25 1/8 x 18 3/8 inches (Sheet) Signature: Signed Artist details: German, 1902 - 1975 Date finished: 1971 Date of impression: 1974 Edition: EA Reference: Lauren Laz 316 Printer: Atelier Boileau, Montargis. Engraved by Cécile Reims Publisher: Enrico Magaglio, Paris
#53605
Henri Laurens
Femme Allongée au Bras Levé (Reclining Woman with Raised Arm)
Medium: Mixed media on paper Dimensions: 4 1/8 x 16 inches (Image) 15 x 22 inches (Sheet) Signature: Signed Artist details: American, 1947 Date finished: Summer 2021
Series: Camel Patrol Series Medium: Etching and drypoint Dimensions: 9 x 15 1/2 inches (Plate) 10 5/8 x 17 inches (Sheet) Signature: Signed and dated in the plate Artist details: Scottish, 1883 - 1959 Date finished: November 1917 Date of plate: 1920 Edition: A 13 (American edition) Reference: Hardie 193
#53779
Medium: Etching Dimensions: 8 1/2 x 12 5/8 inches (Plate) 11 1/2 x 16 inches (Sheet) Signature: Signed. Blindstamp of Chicago Society of Etchers. FI Heade watermark Artist details: American, 1890 - 1946 Date finished: 1931 Reference: Giardina 163
#53841
Medium: Etching Dimensions: 8 3/4 x 5 7/8 inches (Plate) 14 1/2 x 11 inches (Sheet) Signature: Signed Artist details: American, 1952 Date finished: 2021 Edition: of 30
Medium: Drypoint Dimensions: 6 x 8 3/8 inches (Plate) 9 7/8 x 12 5/8 inches (Sheet) Signature: Signed Artist details: American, 1895 - 1975 Date of plate: January 1930 Edition: 51/75 Reference: Kingsland 91 Condition: Faint specks of foxing.
#52323
Series: Monoprint/Monotype Invitational 2022 Medium: Monoprint Dimensions: 17 x 17 3/4 inches (Image) 21 x 21 5/8 inches (Sheet) Signature: Signed Artist details: American, b. 1950 Date finished: 2021 Edition: of 6
Artist's statement: "The motif in Red Facing Fear #3 is based on my sense of the fragility and precariousness of contemporary life. The structure suggests a sense of power, where one addition or change–such as adding a red line down the middle of the composition–can reinforce or destabilize the picture plane. This resembles how daily routines and a sense of normalcy can be derailed by a slight or sometimes violent event, which in turns creates instability and ambiguity. In creating Red Facing Fear #3 I used a combination of relief and monotype blocks. The relief block provided stability and replication. The monotype block allowed for endless variations, which I created through multiple monotype techniques including layering subtle colors. This process of making monoprints parallels the dynamics of the world and its complicated ever-changing nature."
Medium: Monotype Dimensions: 20 x 16 inches (Image) 26 x 22 inches (Sheet) Signature: Signed Artist details: American, 1971 Date finished: 2021 Edition: 1/1
Artist's statement: "Hard-edges, grids, and flawed forms of our fabricated world inform a conversation between the living, synthetic, uncontrollable, and controlled. I enjoy this conversation and participate in it - using memory and impression - to assemble a non-traditional landscape. On a morning walk, I study how people organize their lives and property; I consider how plots of land look from above, how they fit together. Transitions, such as gravel-to-rock, curb-to-road, and public-to-private, can be felt and heard; they dictate one’s mood, movement, and attire. I imagine a map and wander inside it, looking for what is native, imported, predator, or prey."
Medium: Monotype Dimensions: 16 x 20 inches (Image) 22 x 25 inches (Sheet) Signature: Signed Artist details: American, 1971 Date finished: 2021 Edition: 1/1
Artist's statement: "Hard-edges, grids, and flawed forms of our fabricated world inform a conversation between the living, synthetic, uncontrollable, and controlled. I enjoy this conversation and participate in it - using memory and impression - to assemble a non-traditional landscape. On a morning walk, I study how people organize their lives and property; I consider how plots of land look from above, how they fit together. Transitions, such as gravel-to-rock, curb-to-road, and public-to-private, can be felt and heard; they dictate one’s mood, movement, and attire. I imagine a map and wander inside it, looking for what is native, imported, predator, or prey."
Series: Monoprint/Monotype Invitational 2022 Medium: Watercolor monotype Dimensions: 14 7/8 x 18 1/4 inches (Image) 21 1/8 x 24 3/8 inches (Sheet) Signature: Signed Artist details: American, 1961 Date finished: 2020 Edition: 1/1
Artist's statement: "Branches, Humphrey Head and Tree Near Second Beach are from a series exploring the landscape where I grew up in the Pacific Northwest. These images take a subjective view of the landscape – looking up – to suggest a “child’s eye” sense of scale or perspective.
The prints were made by painting with black watercolor on a thin polyester plate, which was then printed on a press. Unlike oil monotypes, the image must be completely dry before being printed. This means that it can be developed over many hours, even days. I use additive and subtractive processes to make the images, putting down washes and marks that are allowed to dry before being lifted and revised by re-wetting the plate."
Series: Monoprint/Monotype Invitational 2022 Medium: Watercolor monotype Dimensions: 15 3/4 x 23 3/4 inches (Image) 22 1/4 x 30 inches (Sheet) Signature: Signed Artist details: American, 1961 Date finished: 2020 Edition: 1/1
Artist's statement: "Branches, Humphrey Head and Tree Near Second Beach are from a series exploring the landscape where I grew up in the Pacific Northwest. These images take a subjective view of the landscape – looking up – to suggest a “child’s eye” sense of scale or perspective.
The prints were made by painting with black watercolor on a thin polyester plate, which was then printed on a press. Unlike oil monotypes, the image must be completely dry before being printed. This means that it can be developed over many hours, even days. I use additive and subtractive processes to make the images, putting down washes and marks that are allowed to dry before being lifted and revised by re-wetting the plate."
Series: Monoprint/Monotype Invitational 2022 Medium: Watercolor monotype Dimensions: 17 7/8 x 23 7/8 inches (Image) 22 5/8 x 30 inches (Sheet) Signature: Signed Artist details: American, 1961 Date finished: 2021 Edition: 1/1
Artist's statement: "Backyard at Night is part of the series Night Shadows, inspired by late night walks through my Minneapolis neighborhood. The work addresses feelings of isolation brought on by the pandemic.
The prints were made by painting with black watercolor on a thin polyester plate, which was then printed on a press. Unlike oil monotypes, the image must be completely dry before being printed. This means that it can be developed over many hours, even days. I use additive and subtractive processes to make the images, putting down washes and marks that are allowed to dry before being lifted and revised by re-wetting the plate."
Recommended by Paige (Collections Manager): "'Backyard at Night' beautifully captures a familiar scene, just off-kilter. It is a quintessential backyard: gutters, chain link fences and patio furniture. But everything is slightly misaligned and in high contrast against the dark of night. It's a striking piece that shows Kareken's wonderful, painterly handling of trees and textures in a new setting. It feels like a photo that no one would think to take but is around us all of the time."