Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 30
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 35
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 30
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 30
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 35
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 30
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 20
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 20
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 35
Series: Friends Medium: Intaglio and chine-collé Dimensions: 6 x 4 inches Signature: Signed Artist details: Japanese, 1960 Date finished: 2013 Edition: of 30
Medium: Etching with chine-collé Dimensions: 23 1/2 x 21 1/4 inches (plate) 31 1/2 x 27 1/2 inches (sheet) Artist details: American, 1963 Date finished: 2017 Edition: of 20
Recommended by Nikki(Fine Print Photographer & Content Publisher): This piece is a retelling of a folktale involving a heron, fish, and a crab. I’ve heard many versions of this story and I always wonder at how things would have gone differently for the characters if the heron had chosen to help, rather than manipulate and indulge. The fish would have lived, the heron would have been able to experience community, and the crab would be able to find peace. Lader's symbolic detail and careful chine-collé of colorful washi paper, elegantly walks the viewer through this story and its facets in one image.
Medium: Etching with chine-collé Dimensions: 12 3/4 x 15 1/2 inches Signature: Signed Artist details: Japanese, 1933 - 2019 Date finished: 1968 Edition: 2/50 Condition: Masking tape residue on top margin
#48525
Medium: Etching, aquatint, chine-collé Dimensions: 7 1/4 x 7 1/4 inches Signature: Signed Artist details: Japanese, 1933 - 2019 Date finished: 1983 Edition: of 150, AP 1/15
#48176
Medium: Four-color lithograph and chine-collé Dimensions: 14 x 17 inches Signature: Signed Artist details: American, 1969 Date finished: 2002 Edition: of 40
Medium: Etching, collagraph, chine-collé Dimensions: 7 3/4 x 9 3/4 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 1999 Edition: of 40
Medium: Etching, mezzotint, chine-collé Dimensions: 10 x 8 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2005 Edition: of 20 State II
Medium: Etching, collagraph, drypoint, and chine-collé Dimensions: 11 3/4 x 15 1/2 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2000 Edition: of 20
Medium: Etching, mezzotint, drypoint, chine-collé Dimensions: 7 7/8 x 8 7/8 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2003 Edition: of 20
Medium: Etching, collagraph, relief, chine-collé Dimensions: 9 3/4 x 7 3/4 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 1998 Edition: of 30
Recommended by Nikki (Fine Print Photographer & Content Publisher):
"Collagraph is a medium that became popular in the ‘60s after synthetic adhesives and plastics became more readily available. Artists from all over the world were invited to visit the studio of Glen Alps in Seattle, WA to try out the process of gluing substrates, scribing marks into the dried substrates, and printing the results as intaglio plates. This relatively new medium has continued its popularity in the studios of contemporary artists, like Akiko Taniguchi. In ‘Atom’, Taniguchi is using texture and layering on her collagraph to pull the viewer into her 10x8 inch world of abstraction. In it, viewers get to explore the word ‘atom’ within complimentary red and green hues and explosive almond shapes. Every square inch of the print is delightfully filled with new and interesting textures that only collagraph can offer."
