Medium: Aquatint and drypoint
Dimensions: 6 3/4 x 9 1/2 inches
Signature: Signed
Artist details: American, 1859 - 1939
Reference: Seeber 324

Medium: Etching and drypoint
Dimensions: 9 7/8 x 6 7/8 inches
Signature: Signed
Artist details: American, 1859 - 1939
Reference: Seeber 86

Medium: Drypoint
Dimensions: 10 1/4 x 7 3/4 inches
Signature: Signed. "Made in England" stamp lower right.
Artist details: English, 1886 - 1966
Date finished: 1931
Edition: 81/100
Reference: Appleby 143

Recommended by Rebecca (Gallery Manager):

"Edmund Blampied’s masterful drypoint “Below Stairs” shows a wonderful familiarity between a chef and a maid in a British household.  The somewhat unkempt chef stands with his hands in his pockets and a cigarette hanging from his mouth as the maid listens intently, leaning on a broom. Between their feet stands a kitty asking politely for attention. The warmth of the drypoint adds to the overall mood of this vignette. Printed in the 1930’s, this image pays homage to the end of the era of upstairs-downstairs dynamics in the late aristocracy and wealthy family households."

Medium: Drypoint with chine-collé
Dimensions: 5 3/4 x 11 1/2 inches
Signature: Signed
Artist details: Japanese, 1951
Date finished: 1987
Edition: of 50
Reference: #138

Recommended by Rebecca: 
(Gallery Associate)

Tomura's simple, beautiful drypoint is reminiscent of Rembrandt's depiction of leaves and trees. Tomura captures lively nature with minimal details. The image is barely there. Just a few light strokes for the grass, gentle texture in the leaves and clean lines for the trunks. Tomura leaves most of the sheet blank to focus on the thing you can't see: the wind.

Medium: Drypoint and chine-collé
Dimensions: 30 inches diameter, 42 1/2  x 37 3/4 inches (sheet)
Signature: Signed
Artist details: British/American, 1957
Edition: 3/3 EV
Condition: Extremely faint discoloration on lower left hand edge of paper. Very minor cockling on right and left edge of paper. All far away from the image.

Medium: Drypoint and chine-collé
Dimensions: 30 inches diameter (Image), 42 1/2  x 37 3/4 inches (sheet)
Artist details: British/American, 1957
Edition: 3/3 EV
Condition: Extremely faint discoloration on sheet's edge, well away from the image

Medium: Drypoint and chine-collé
Dimensions: 30 inches diameter (Image), 42 1/2  x 37 3/4 inches (sheet)
Artist details: British/American, 1957
Edition: 3/3 EV
Condition: Extremely faint toning on edge of sheet, well away from the image. 

Medium: Drypoint on Gampi
Dimensions: 25 1/2 inches diameter
Artist details: British/American, 1957
Date finished: 2016
Edition: 1/1

After Piranesi was printed during the artist's fellowship residency in Vermont in 2016. Underneath the arches on the south bank of the Thames in London, Robinson's hometown, there is an oversized tile mural which reproduces the original etching of Piranesi’s depiction of the construction of Blackfriars bridge 1766. Interested in how scale can change and distort one's visual relationship to an object or place, (the original etching is 16 x 24 inches), Robinson focused on a section of the enlarged image as a starting point to create an abstracted homage to one of her heroes in print, Piranesi. The resulting print, created in a small varied edition of 4 unique images, is a combination of drypoint and monotype printed on gampi tissue, a material that references both the strength of the subject matter and its fragility. The gampi is then seamed together and backed with sekishu paper for added strength.