Series: Stations of the Cross, in collaboration with Frank Brangwyn (English, 1867-1956) Medium: Woodcut Dimensions: 17 x 18 1/4 inches Signature: Signed by both artists Artist details: English, 1913 - 1969 Edition: Annotated proof made out to Albert de Belleroche
#47517
Medium: Linocut with hand-coloring Dimensions: 11 1/8 x 17 inches Signature: Signed Artist details: English, 1913 - 1969 Date finished: 1941 Edition: Second proof
#47504
Medium: Mixed media Dimensions: 14 1/2 x 10 1/2 inches Artist details: English, 1913 - 1969 Date finished: 1957 Condition: Minor damage at edges.
#47499
Medium: Hand-colored linocut Dimensions: 4 3/4 x 3 1/4 inches Signature: Signed Artist details: English, 1913 - 1969 Condition: Soiling, folds and small tears in margins.
#47501
Series: Four Stages of Cruelty Medium: Engravings Dimensions: 15 1/4 x 12 1/2 inches each Artist details: English, 1697 - 1764 Date finished: c. 1822 Edition: Heath Edition Reference: Paulson 187-190
First Stage of Cruelty Second Stage of Cruelty Cruelty in Perfection The Reward of Cruelty
Series: The Third Tour of Dr. Syntax: In Search of a Wife Medium: Hand-colored etching and aquatint Dimensions: 4 7/8 x 8 1/8 inches Artist details: English, 1756 - 1827 Date finished: 1812-1822 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#14751
Series: The Second Tour of Dr. Syntax: In Search of Consolation by William Combe Medium: Hand-colored etching and aquatint Dimensions: 4 3/4 x 7 3/4 inches Artist details: English, 1756 - 1827 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#14740
Series: The Tour of Dr. Syntax: In Search of the Picturesque Medium: Hand-colored etching and aquatint Dimensions: 4 1/2 x 7 1/2 inches Artist details: English, 1756 - 1827 Date finished: 1813 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#14779
Series: The Second Tour of Dr. Syntax: In Search of Consolation Dimensions: 4 5/8 x 7 7/8 inches Medium: Hand-colored etching and aquatint Artist details: English, 1756 - 1827 Date finished: 1820 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
Series: The Tour of Dr. Syntax: In Search of the Picturesque Medium: Hand-colored etching and aquatint Dimensions: 4 3/8 x 7 3/8 inches Artist details: English, 1756 - 1827 Date finished: 1813 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#14797
Series: One of Three Tours of Dr. Syntax Medium: Hand-colored etching and aquatint Dimensions: 4 1/2 x 7 3/8 inches Artist details: English, 1756 - 1827 Date finished: 1812-22 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#14772
Series: The Third Tour of Dr. Syntax: In Search of a Wife Medium: Hand-colored etching and aquatint Dimensions: 5 x 8 1/8 inches Artist details: English, 1756 - 1827 Date finished: 1821 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#14762
Series: For the Town of Dr. Syntax Medium: Hand-colored etching and aquatint Dimensions: 5 1/4 x 8 1/4 inches Artist details: English, 1756 - 1827 Publisher: Rudolph Ackermann at R. Ackermann's Repository of Arts, London
#43836
Series: The Second Tour of Dr. Syntax: In Search of Consolation Medium: Hand-colored etching and aquatint Dimensions: 4 3/4 x 7 1/2 inches Artist details: English, 1756 - 1827 Date of plate: 1820
#14769
Medium: Drypoint Dimensions: 8 3/8 x 12 inches Signature: Signed Artist details: English, 1886 - 1966 Date finished: 1929 Edition: 26/100 Reference: Appleby 142 Condition: Some mat burn. J. Whatman watermark. "Made In England" stamp verso.
#46778
Medium: Drypoint Dimensions: 10 1/4 x 7 3/4 inches Signature: Signed. "Made in England" stamp lower right. Artist details: English, 1886 - 1966 Date finished: 1931 Edition: 81/100 Reference: Appleby 143
Recommended by Rebecca (Gallery Manager):
"Edmund Blampied’s masterful drypoint “Below Stairs” shows a wonderful familiarity between a chef and a maid in a British household. The somewhat unkempt chef stands with his hands in his pockets and a cigarette hanging from his mouth as the maid listens intently, leaning on a broom. Between their feet stands a kitty asking politely for attention. The warmth of the drypoint adds to the overall mood of this vignette. Printed in the 1930’s, this image pays homage to the end of the era of upstairs-downstairs dynamics in the late aristocracy and wealthy family households."