Medium: Mezzotint
Dimensions: 6 x 3 3/4 inches
Signature: Signed
Artist details: Japanese, 1954
Date finished: 2016
Edition: of 90
Reference: 380

Recommended by Emma (Marketing & Communications Manager):
"Mikio Watanabe captures the soft warm glow of summer in this sweet image. Yet over the years in this region the end of summer has become a season of miserable heat and hazy poor air quality. This droopy sunflower perfectly captures how I feel as we settle in to August and the smoke rolls in. The glow is lovely, but I am exhausted and dreaming of cloudy skies and rain."

Medium: Etching and aquatint
Dimensions: 6 x 6 inches
Signature: Signed
Artist details: Japanese, 1964
Date finished: 2016
Edition: of 10

Recommended by Nikki (Fine Print Photographer & Content Publisher):
"Sugita’s transient monument series highlights the temporal aspect of human transit, as we travel around in our cars, buses, trains, bikes, etc. Something I took for granted before Seattle’s lockdown began.  In Transient Monument #4, we do not see any people. Instead we see two great forces - the man made steel bridge and the water beneath it. Both things are often only seen in passing, until we slow down and really take a second look."

Medium: Wood engraving
Dimensions: 5 x 6 1/2 inches
Artist details: Japanese, 1964
Date finished: 2007
Edition: of 50

Recommended by Paige (Collections Manager):
"Toru Sugita is a California-based Japanese artist and teacher who creates a variety of landscape and city scene prints. He has spent years thinking about changing light and is an expert at capturing each specific type of light that is unique to a place and a moment. On My Balcony I is a beautiful, simple wood engraving that captures a very individual scene: "my" balcony. It isn't lavish or curated; it isn't full of lush plants or exciting people - it's simple and sincere. The intimate process of carving a wood block is felt in this small piece. I feel the block's texture and the quiet moments that the artist spent with it. Now that we often think about curating images of our lives to only present the very best and most exciting aspects of ourselves, I am fascinated by Sugita's emphasis on the ordinary."