Medium: Etching with chine-collé Dimensions: 12 3/4 x 15 1/2 inches Signature: Signed Artist details: Japanese, 1933 - 2019 Date finished: 1968 Edition: 2/50 Condition: Masking tape residue on top margin
#48525
Medium: Etching, aquatint, chine-collé Dimensions: 7 1/4 x 7 1/4 inches Signature: Signed Artist details: Japanese, 1933 - 2019 Date finished: 1983 Edition: of 150, AP 1/15
#48176
Medium: Etching and aquatint Dimensions: 6 1/2 x 8 inches Signature: Signed Artist details: Japanese, 1933 - 2019 Date finished: 1989 Edition: AP 1/15
#48180
Medium: Etching, collagraph, chine-collé Dimensions: 7 3/4 x 9 3/4 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 1999 Edition: of 40
Medium: Etching, mezzotint, chine-collé Dimensions: 10 x 8 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2005 Edition: of 20 State II
Medium: Etching, collagraph, drypoint, and chine-collé Dimensions: 11 3/4 x 15 1/2 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2000 Edition: of 20
Medium: Etching, mezzotint, drypoint, chine-collé Dimensions: 7 7/8 x 8 7/8 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2003 Edition: of 20
Medium: Etching, collagraph, relief, chine-collé Dimensions: 9 3/4 x 7 3/4 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 1998 Edition: of 30
Recommended by Nikki (Fine Print Photographer & Content Publisher):
"Collagraph is a medium that became popular in the ‘60s after synthetic adhesives and plastics became more readily available. Artists from all over the world were invited to visit the studio of Glen Alps in Seattle, WA to try out the process of gluing substrates, scribing marks into the dried substrates, and printing the results as intaglio plates. This relatively new medium has continued its popularity in the studios of contemporary artists, like Akiko Taniguchi. In ‘Atom’, Taniguchi is using texture and layering on her collagraph to pull the viewer into her 10x8 inch world of abstraction. In it, viewers get to explore the word ‘atom’ within complimentary red and green hues and explosive almond shapes. Every square inch of the print is delightfully filled with new and interesting textures that only collagraph can offer."
Medium: Etching, aquatint Dimensions: 11 5/8 x 8 1/2 inches (image) 15 3/4 x 15 1/2 inches (sheet) Signature: Signed Artist details: Japanese, 1986 Date finished: 2017 Edition: of 15
Medium: Etching, aquatint Dimensions: 11 3/4 x 8 5/8 inches (image) 15 5/8 x 15 3/4 inches (sheet) Signature: Signed Artist details: Japanese, 1986 Date finished: 2017 Edition: of 15
Series: Tarot Medium: Etching, aquatint Dimensions: 4 3/8 x 2 3/8 inches (image) 11 3/4 x 8 1/4 inches (sheet) Signature: Signed Artist details: Japanese, 1986 Date finished: 2016 Edition: of 20
Recommended by Nikki (Fine Print Photographer / Marketing and Digital Content Specialist):
Takeda’s depiction of the death card is filled with eyes wide open, including on the intense central figure with their hands gracefully crossed, staring straight back at the viewer. In tarot, drawing the death card isn’t always a bad thing. Death is a normal part of life and can mean a new beginning as well as an end to something. As the year winds closer to its own death, this etching is a reminder to be alert and conscious about what in our own lives needs to come to a close and what could use more of our energy.
Medium: Etching, aquatint Dimensions: 10 1/2 x 20 1/2 inches (image) 14 x 25 3/8 inches (sheet) Signature: Signed Artist details: Japanese, 1986 Date finished: 2013 Edition: of 15
Azumi Takeda
The Story of the Perfectly Flawless Cleaning Husband Trio
Series: Holes for Loneliness Games Medium: Etching, aquatint Dimensions: 10 1/4 x 10 1/2 inches (image) 15 1/2 x 15 3/4 inches (sheet) Signature: Signed Artist details: Japanese, 1986 Date finished: 2012 Edition: of 20
Recommended by Nikki (Fine Print Photographer & Content Publisher): "The level of technical detail in this etching is intricate - from each character’s particular facial expression to the curtains, hanging plants, mirror, and archway tile designs. Takeda is so good at taking simple everyday things like drinking coffee at a coffee shop and turning them into interesting shadow box scenes. The viewer can’t help but look at each of the people in this crowded room and wonder what they are all thinking behind their wide eyes. The only character not looking at one another or at themselves in the mirror is the person directly in front of the viewer. Rather than participating in the gossip or chatter, this person is rolling their eyes and looking up at the ceiling, while they drink their coffee."