Series: Persons
Medium: Intaglio and chine-collé
Dimensions: 23 1/2 x 11 3/4 inches
Signature: Signed
Artist details: Japanese, 1960
Date finished: 2015-16
Edition: of 30

Recommended by Rebecca (Gallery Manager):
"With the stress we all are under, I feel like I am blowing away, losing myself, organically. Sakuta has captured that feeling of loss. A breeze is all that is needed."

Medium: Mezzotint
Dimensions: 7 3/4 x 5 3/4 inches (image) 13 x 10 3/8 inches (sheet)
Signature: Signed
Artist details: Taiwanese, 1966
Date finished: 2017
Edition: AP

"I have a special connection with flying fish. They are powerful. They swim freely in the ocean and fly above the water. It inspires me and leads me to the unique imaginary world". - Artist Statement

Medium: Mezzotint
Dimensions: 7 7/8 inches diameter (image) 14 3/4 x 11 3/4 inches (sheet)
Signature: Signed
Artist details: Taiwanese, 1966
Date finished: 2019
Edition: of 30

"There always seems to be some secrecy in the dark. I love going for night walks and exploring in the dark. I hope I visualize my imagination well in the prints". - Artist Statement

Medium: Mezzotint
Dimensions: 4 x 4 inches (image) 7 5/8 x 7 1/2 inches (sheet)
Signature: Signed
Artist details: Taiwanese, 1966
Date finished: 2019
Edition: of 30

"Every person or animal has their moment. That is the time they can enjoy the spotlight shining over them". - Artist Statement

Medium: Intaglio
Dimensions: 15 x 10 inches
Artist details: American, 1984
Date finished: 2011
Edition: of XV

Recommended by Nikki (Fine Print Photographer & Content Publisher):
"There is a memory-like quality to Lingscheit’s hand-pulled print, with it’s soft plate tones and blank spaces. “Sunday” brings up questions around genderism and Western Christian culture’s long history of upholding patriarchal systems, including men being hunters and providers. Why is it that a hunter’s kill is able to take up space, while women are asked to disappear as outlined voids? Despite the clear allusions to women being at the mercy of men’s decisions, the piece also offers a reclamation of power. In this scene, the women hold the most visual ‘weight’ and ground the entire image with their high contrast and distinct negative space silhouettes - forcing the viewer to acknowledge them."