Medium: Sumi ink and gouache Dimensions: 21 1/2 x 30 inches (image/sheet) Signature: Signed Artist details:Pacific Northwest, American, 1947 Date Finished: 2008
Medium: Sumi Ink and gouache on paper Dimensions: 30 x 22 inches (image/sheet) Signature: Signed Artist details: Pacific Northwest, American, 1947 Date Finished: 2013
Medium: Sumi ink and gouache Dimensions: 22 x 30 inches (image/sheet) Signature: Signed Artist details:Pacific Northwest, American, 1947 Date Finished: 2014
Medium: Sumi ink and gouache Dimensions: 22 x 30 inches (image/sheet) Signature: Signed Artist details:Pacific Northwest, American, 1947 Date Finished: 2015
Medium: Sumi Ink and gouache on paper Dimensions: 30 x 22 inches (image/sheet) Signature: Signed Artist details: Pacific Northwest, American, 1947 Date Finished: 2013
Medium: Woodcut and pochoir Dimensions: 16 x 20 inches (image/sheet) Signature: Signed Artist details: American, 1955 Date Finished: 2014 Edition: of 42
Medium: Woodcut and Pochior Dimensions: 15 x 11 inches (image/sheet) Signature: Signed Verso Artist details: American, 1955 Date Finished: 2013 Edition: of 13
Recommended by Catherine (Collections Specialist):
"Jean Gumpper's woodcuts are expressions of her experiences in nature and each print feels like a spontaneous glimpse into the natural world, dynamic and full of depth. For her piece titled 'Tracery', Jean combines traditional woodcut printing with pochoir, a French stencil-based technique, to create a deeply layered and multi-textured quality. The lively leaves and vines in the foreground wind over an intricate web of dark branches, which resembles tracery on a gothic window. I'm drawn to any metaphor between the natural world and historical architecture, and the play of light shining through this nature-formed window inspires my imagination."
Medium: Woodcut and pochoir Dimensions: 20 x 30 inches (image/sheet) Signature: Signed Verso Artist details: American, 1955 Date Finished: 2014 Edition: of 20
Medium: Woodcut and pochoir Dimensions: 20 x 30 inches (image/sheet) Signature: Signed Artist details: American, 1955 Date Finished: 2017 Edition: 4/20 Condition: Skinning on verso from previous framing strengthened with Japanese hinging tape.
Medium: Reduction woodcut Dimensions: 20 x 30 inches (image/sheet) Signature: Signed Artist details: American, 1955 Date Finished: 2004 Edition: of 15 Condition: Small repaired tear at edge of paper on right.
Medium: Woodcut and pochoir Dimensions: 15 x 19 inches (image/sheet) Signature: Signed Artist details: American, 1955 Date Finished: 2017 Edition: of 19
Medium: Woodcut and pochoir Dimensions: 20 x 30 inches (image/sheet) Signature: Signed Artist details: American, 1955 Date Finished: 2018/19 Edition: of 10
Medium: Woodcut and pochoir Dimensions: 20 x 30 inches (image/sheet) Signature: Signed Artist details: American, 1955 Date Finished: 2011 Edition: of 17
Medium: Etching with relief roll and chine-collé Dimensions: 12 x 9 inches Signature: Signed Artist details: Pacific Northwest, American, 1976 Date Finished: 2006 Edition: AP
Medium: Intaglio Dimensions: 10 x 12 inches (image) 16 1/2 x 20 inches (sheet) Signature: Signed Artist details: Ecuadorian, 1963 Date finished: 2005 Edition: EV of 30
Recommended by Rebecca(GalleryManager): This print speaks to me of Latin American folklore and mysticism. Paula Barragán’s work has a beautiful, narrative quality combined with colors and textures of her culture. Here there are only a few identifiable details - a bicycle, a dog, a person - but the story seems much larger.
Medium: Etching and aquatint Dimensions: 19 1/2 x 23 1/2 inches (image) 25 3/4 x 29 5/8 inches (sheet) Signature: Signed Artist details: Japanese, 1957 Date finished: 2009 Edition: of 35 Condition: Lower left corner dented from shipment.
Medium: Etching and aquatint Dimensions: 19 3/4 x 23 1/2 inches (image) 26 1/2 x 30 1/4 inches (sheet) Signature: Signed Artist details: Japanese, 1957 Date finished: 2009 Edition: of 35 Condition: Lower left corner slightly creased.
Recommended by Nikki(Fine Print Photographer & Content Publisher): Asahi pulls me in with her simple color palette that lets singular and small moments of color live as individual statements on her etchings. The curls and tendrils of water elements, wrapping around the woman and giant fish spark an attractive pull for me, who grew up fishing. Rather than creating unease with her monsters, Asahi draws me into her playful and imaginary storytelling that draws on traditional Japanese folklore, but centers on the interplay between woman, fish, and water.