Catalog list 106, released spring 2023. Free downloadable PDF. We have unfortunately run out of the hard copies of catalog 106.

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Medium: Etching on Arches
Dimensions: 4 7/8 x 3 7/8 inches (Plate) 12 1/4 x 8 3/4 inches (Sheet)
Signature: Initialed in the plate
Artist details: English, 1805 - 1881
Date of plate: 1850
Date of impression: 1880
Reference: Hardie 3
Condition: Slight buckling in the image from printing pressure

Series: The Birds of America, No. 75, Plate 372
Medium: Engraving and aquatint with hand-coloring
Dimensions: 27 x 23 1/2 inches (plate) 41 3/4 x 33 5/8 inches (framed) 
Signature: Watermark
Artist details: American, 1785 - 1851
Date finished: 1837
Edition: Havell Edition
Condition: Some light spots in left and right margins, small spot at left edge of plate, a few small spots within the image. Good color.

Available framed. 

Medium: Woodblock
Dimensions: 7 7/8 x 7 7/8 inches (Image) 10 5/8 x 10 5/8 inches (Sheet)
Signature: Signed
Artist details: Japanese, 1940
Edition: of 30

Recommended by Nikki (Fine Print Photographer / Marketing and Digital Content Specialist):

Aoki’s woodcuts have a delightful charm. ‘Everyone on Earth 2’ breaks away from the traditional rectangular woodblock shape and playfully pulls viewers into its circular shape. Inside the circle, there are silhouettes of people in exaggerated poses that make the piece feel kinetic. Aoki’s world full of people has a liveliness to it that is captivating and lightens any mood.

Medium: Reclaimed wood monoprint, hand-cut paper, blind embossment and collage
Dimensions: 9 x 9 inches (Image/Sheet)
Signature: Signed
Artist details: Korean / American, Pacific Northwest, 1971
Date finished: 2023
Edition: 1/1

Recommended by Rebecca (Gallery Manager):

"Eunice Kim’s style and technique has evolved much over the years, but the natural spirit of her work and her commitment to using non toxic materials has only grown. In her new exhibition Currents & Tides, she uses reclaimed wood from a barn on her property to produce stark and natural woodcut prints. In Seedling (9) #1,  you can feel the energy and intention that Kim puts into the process of selecting the star pattern from the source print, and painstakingly cutting it out by hand with tiny scissors. Kim melds both natural and human history into a meditative harmony of birth, death, and rebirth."