Medium: Woodcut Dimensions: 14 x 13 1/2 inches (Block) 20 1/2 x 19 inches (Sheet) Signature: Signed Artist details: American, 1922 - 2000 Date finished: 1963 Edition: AP Reference: Fern 452 Condition: Green paper color lost where not covered by mat.
#54108
Series: For Flaubert's St. Julien the Hospitaller Medium: Wood engraving Dimensions: 9 x 3 1/2 inches (Block) 13 1/2 x 6 3/4 inches (Sheet) Signature: Signed Artist details: American, 1922 - 2000 Date finished: 1956 Reference: Fern 283
#54089
Medium: Woodcut Dimensions: 21 5/8 x 13 3/4 inches (Block) 29 1/2 x 19 3/4 inches (Sheet) Signature: Signed Artist details: American, 1922 - 2000 Date finished: c. 1970 Edition: 39/50 Reference: Fern 562 Condition: Some skinning at center of sheet, verso.
#54102
Medium: Wood engraving Dimensions: 7 7/8 x 7 7/8 inches (image) 11 x 14 inches (sheet) Signature: Signed in pencil Artist details: American, 1922 - 2000 Date of impression: 1958 Edition: of 50 Reference: Fern 316
#45226
Medium: Lithograph Dimensions: 8 7/8 x 11 x 7/8 inches Signature: Signed Artist details: Belgian/American, 1904 - 1977 Edition: Edition of 218 Date finished: 1939/1942 Publisher: Associated American Artists
Series: Formulation: Articulation Portfolio Medium: Serigraph Edition: of 1000 Dimensions: 10 x 10 inches (Image) 15 x 20 inches (Sheet) Artist details: American, 1888 - 1976 Date of impression: 1972 Publisher: Harry N. Abrams Inc. Printer: Ives-Sillman, Inc. New Haven
Medium: Lithograph Dimensions: 6 5/8 x 8 1/4 inches (Image) 9 3/8 x 12 1/2 inches (Sheet) Signature: Signed Artist details: American, 1899 - 1983 Date finished: c. 1930 Edition: of 40 (noted at lower left)
#53712
Series: The Happy Meeting Medium: Color lithograph Dimensions: 22 x 30 inches (Image) 26 3/4 x 34 inches (Sheet) Signature: Signed Artist details: Dutch, 1921 - 2006 Date finished: 1974 Edition: 51/120
#53784
Medium: Lithograph Dimensions: 12 3/4 x 9 inches (Image) 17 1/2 x 11 1/4 inches (Sheet) Signature: Signed Artist details: Welsh / English, 1864 - 1944 Reference: 756, x286 Condition: Slight foxing and an ink mark in margin.
#49592
Medium: Etching Dimensions: 11 3/4 x 9 3/4 inches (Plate) 15 1/2 x 13 1/8 inches (Sheet) Signature: Signed. Faint blindstamp at lower left margin Artist details: Uruguayan / American, 1874 - 1940 Date finished: 1931 Edition: of 75 Provenance: Benjamin West Society (#753)
#53715
Medium: Wood engraving Dimensions: 8 x 11 inches (Block) 12 x 15 1/4 inches (Sheet) Signature: Signed Artist details: American, 1896 - 1981 Date finished: 1936/1939 Edition: AP of 3. Outside of the WPA edition of 25 Publisher: FAP/WPA, stamp at lower left Provenance: Susan Teller Gallery, New York
#53717
Medium: Etching Dimensions: 9 7/8 x 7 3/4 inches (Plate) 15 1/8 x 11 3/8 inches (Sheet) Signature: Signed Artist details: American, 1862 - 1951 Date finished: 1924 Edition: of 150 (Published state) Reference: Ordeman 237 Condition: Slightly light struck where not covered by the mat.
#53909
Medium: Lithograph Dimensions: 9 3/8 x 13 1/8 inches (Image) 12 1/2 x 17 inches (Sheet) Signature: Signed Artist details: Belgian/American, 1904 - 1977 Date finished: 1939/1942 Edition: of 250 Publisher: AAA, label included
#53718
Medium: Color engraving Dimensions: 19 3/4 x 12 3/8 inches (Plate) 25 1/8 x 18 3/8 inches (Sheet) Signature: Signed Artist details: German, 1902 - 1975 Date finished: 1971 Date of impression: 1974 Edition: EA Reference: Lauren Laz 316 Printer: Atelier Boileau, Montargis. Engraved by Cécile Reims Publisher: Enrico Magaglio, Paris
#53605
Henri Laurens
Femme Allongée au Bras Levé (Reclining Woman with Raised Arm)
Medium: Lithograph Dimensions: 18 1/4 x 11 1/2 inches (Image) 22 x 17 1/2 inches (Sheet) Signature: Signed Artist details: Welsh / English, 1864 - 1944 Date finished: 1905 Reference: 116 Condition: Ink mark at the top right corner.
#49415
Medium: Engraving Dimensions: 10 x 8 inches Signature: Whitney blind stamp lower right Artist details: American, 1898 - 1954 Date of plate: 1938 Date of impression: 1969 Edition: 17/100 Reference: Sasowsky 179 iv/iv (Whitney Edition)
Printer: Anderson and Lamb Publisher: The Whitney Museum
#45870
Charles Meryon
Passerelle Du Pont Au Change Apres L'Incendie De 1621
Medium: Etching with chine collé Dimensions: 4 1/2 x 8 5/8 inches Artist details: French, 1821 - 1868 Date of plate: 1860 Reference: Delteil 50vi/vii Publisher: Gazette De Beaux Arts
#42453
Medium: Color woodblock Dimensions: 15 1/2 x 10 1/8 inches (Blocks) 17 x 11 1/4 inches (Sheet) Signature: Signed in pencil Artist details: Japanese, 1907 - 1997 Date finished: 1961 Edition: Unnumbered edition Condition: Some mild stains in margins.
#53235
Medium: Color woodblock Dimensions: 14 3/4 x 9 3/4 inches (Blocks) 15 7/8 x 11 inches (sheet) Signature: Signed and dated Artist details: Japanese, 1926 - 1995 Date finished: 1954 Condition: Tape residue at top margin edge.
#53183
Medium: Color relief print with embossing Dimensions: 7 3/4 x 7 3/4 inches (Blocks) 9 1/2 x 9 1/4 inches (Sheet) Signature: Signed Artist details: Japanese, 1924 - 2000 Date finished: 1975 Edition: 60/204
#53170
Medium: Color stencil print Dimensions: 15 3/4 x 11 inches (Image) 17 1/2 x 11 7/8 inches (Sheet) Signature: Signed and stamped Artist details: Japanese, 1898 - 1992 Date finished: 1970
#53245
Medium: Color woodblock Dimensions: 15 1/2 x 11 7/8 inches (Blocks) 19 x 14 1/8 inches (Sheet) Signature: Signed. Ivy seal Artist details: French, 1902 - 1960 Date finished: July 1952 Reference: Miles 128 Printer: Onodera, Carver: Maeda Condition: Faintly toned at margin edges.
#52455
Medium: Drypoint Dimensions: 14 x 9 7/8 inches Signature: Signed Artist details: American, 1909 - 1982 Date of impression: 1940 Edition: 250 Publisher: Associated American Artists
Recommended by Emma (Marketing & Communications Manager): "The architectural detail of the Victorian style is beautifully detailed in this drypoint. In a world of fast production and cheap materials, this style appeals to a longing for craftsmanship of times past. In this way it tugs at a deep desire to pursue the more fulfilling aspects of human experience, regardless of the rhythm of modern life. It prompts us to seek out artists and craftspeople, support our local makers, and reject the blitz of corporate advertising. Both the drypoint medium and the architecture depicted remind us that the best things in life require time and great care, and bring us closer in touch with our fellow humans."
